I have not the slightest shadow of a doubt - translation to ισπανικά
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I have not the slightest shadow of a doubt - translation to ισπανικά

1943 FILM BY ALFRED HITCHCOCK
Shadow of a doubt; Shadow of a Doubt (1943 film); Shadow of a Doubt (film)
  • Alternate "Style{{nbsp}}D" theatrical release poster
  • Promotional portrait of Teresa Wright for ''Shadow of a Doubt'', the film for which she received her first top billing.
  • Uncle Charlie ([[Joseph Cotten]]) confronts his niece ([[Teresa Wright]]) in a seedy bar about what she knows.

I have not the slightest shadow of a doubt      
No tengo la menor duda
shadow of a doubt         
la sombra de la duda (pequeña duda)
beyond a shadow of a doubt         
LEGAL TERM
Beyond a reasonable doubt; Reasnobale Doubt; Reasonable Dpubt; Beyond Reasonable Doubt; Resonable Doubt; Beyond the shadow of a doubt; Beyond a shadow of a doubt; Beyond the Shadow Of a Doubt; Prove beyond a reasonable doubt; Beyond reasonable doubt; Reasonable Doubt; Beyond a Reasonable Doubt; Proof beyond reasonable doubt
<I> = sin lugar a dudas, fuera de toda duda, sin el menor asomo de duda, sin la más mínima duda, más allá de toda duda, sin la menor sombra de duda I>
Ex: <I>The film proves beyond a shadow of a doubt that the official story is hogwash and that all the evidence points towards an inside jobI>.

Βικιπαίδεια

Shadow of a Doubt

Shadow of a Doubt is a 1943 American psychological thriller film directed by Alfred Hitchcock, and starring Teresa Wright and Joseph Cotten. Written by Thornton Wilder, Sally Benson, and Alma Reville, the film was nominated for an Academy Award for Best Story for Gordon McDonell.

Charlotte "Charlie" Newton lives with her parents in Santa Rosa, when charming and sophisticated Charles "Uncle Charlie" Oakley comes to visit at short notice. Charlie slowly realizes Oakley is in fact a wanted man, the "Merry Widow" killer, something Oakley soon recognizes.

In 1991, the film was selected for preservation in the United States National Film Registry by the Library of Congress, being deemed "culturally, historically, or aesthetically significant". The film was also Alfred Hitchcock's favorite of all of his films.